Aloi Giampiero 

Roberto Aloi was born in Palermo August 31, 1897. It does not lead to the end no regular course of study.

He debuted in Ravenna in 1918 with his first solo exhibition helped and encouraged by the friends Corrado Ricci, Santino Muratori and Diego Valeri.

In 1920 he moved permanently to Milan and then take active part in the national artistic move...

Roberto Aloi was born in Palermo August 31, 1897. It does not lead to the end no regular course of study.

He debuted in Ravenna in 1918 with his first solo exhibition helped and encouraged by the friends Corrado Ricci, Santino Muratori and Diego Valeri.

In 1920 he moved permanently to Milan and then take active part in the national artistic movement: from 1927 is part of the "baguttiani", is present at the Venice Biennale (1936,1938,1940,1950) in various Quadrennial of Rome and important foreign exhibitions.

Early in his career his work it can be placed between symbolism and liberty on one side and the other a futuristic appeal.
Among the few works survived the firebombing of February 14, 1943, which destroyed almost half-life as an artist, there are some designs that are affected by Romolo Romani, well balanced between symbolism and futurism and friendship with Dudreville futurist.

From 1958 he devoted himself to sculpture with copper swings, silver and gold, and his works are found in many churches and public buildings.

He worked for turbonavi Christopher Columbus, Leonardo da Vinci, Michelangelo and Raphael with paintings, tapestries and swings.

Since 1934 deals with architecture and furniture from around the world by publishing some forty books from the publisher Pearson Education, Inc. of Milan.
Immediately after the war (1949) created the series of "Examples". The material selection and layout reflects the aesthetic taste of the painter, above all tendencies, with the sole intent to promote the world of contemporary architecture.

A versatile artist, shy worked consistently to the last day of life.

He died suddenly June 26, 1981 in Berzo San Fermo (Bergamo) in the garden of his home-studio where he spent a few months each year portraying the landscapes of the valley present in many of his paintings.